If camaraderie, confessions, and competition are the hallmark of a golf foursome, then director Marcia Kash has hit this production of The Ladies Foursome straight down the fairway. Playwright, Norm Foster, has captured women’s voices and social tics in an uncanny manner. It’s funny to the point where laughing is not enough. Spontaneous applause and foot stomping broke out several times. There were moments when I wondered if Foster’s research had involved activating hidden recorders in golf bags — in my foursomes’ bags to be specific.
The story begins on the first tee. It’s the morning after one of the members of the foursome, Katherine, has been buried. Her place has been taken by Dory who is a stranger to the remaining three members. Dory had known ‘Kathy’ for twelve years; the three remaining members have known each other and ‘Katherine’ for fourteen years. The knowing and not knowing of Kathy/Katherine creates a core of tension which leads to the revelation of secrets. The character profiles are strong: the narcissistic, flirtatious Connie (Gabrielle Jones); the anxious but pretty Tate (Stacy Smith); the tough talking, beer guzzling Margot (Karen Wood); and the earth mother, scripture spouting Dory (Carmen Grant). Foster gives them lines that have the audience howling. Each of the actors has a powerful grip on her character, and her clubs.
The set by Douglas Paraschuk is spectacular— a lush golf course which has the actors entering and exiting from three different points. It supports the illusion that the tee box at centre stage is specific for each of eighteen holes. The lighting by Siobhán Sleath produces the effect of the passage of time during the course of four hours of play.
The Ladies Foursome is the final production of the 2015-2016 season at Theatre Aquarius. It should leave theatregoers eager to come back for more. The Ladies Foursome plays until May 7, 2016.