A Theatre Buff Reviews: Saint Joan

Sara Topham-photo by Travis Magee

Sara Topham – Photo by Travis Magee

Four hundred and eighty-eight years and two weeks after she was burned at the stake in Rouen, Joan of Arc was canonized by the Catholic Church. It’s a remarkable distance of time for healing of wounds and righting of wrongs. Equally remarkable to me as a writer, is that in 1923, or three years after her canonization, Bernard Shaw had successfully mounted his play, Saint Joan, in New York. It’s Shaw’s keen observation of political and social tempests, along with his formidable productivity that have made me an admirer. Imagine what his output might have been had he had a word processor and Google!

Tim Carroll’s production of Saint Joan at The Shaw Festival is accomplished. The action takes place on a raked pentagonal stage. It’s a stark set augmented by the introduction of translucent and illuminated cubes and rectangular columns which hide/reveal actors. The performers, with the exception of the clergy are in modern dress. I state these features at the outset because the effect of the staging, lighting, and costumes is critical. It focuses the audience on the dialogue, the subtleties of gestures, and the meaning of words. The performances are compelling. There’s Joan’s (Sara Topham) radiant hope, the Dauphin’s (Wade Bogert-O’Brien) ineptitude and self-absorption, the Earl of Warwick’s (Tom McCamus) pragmatism, and The Inquisitor’s (Jim Mezon) conflict. These actors are supported by a fine cast.

Saint Joan is not an easy play. The dialogue is complex; the political and theological arguments twist and turn. Historians and theatre aficionados will value it and perhaps love it. (I’m in the latter category.) First time theatre goers, however, might want to begin with a more light-hearted play—perhaps a musical. My husband, an engineer, appreciated this production of Saint Joan, although he commented that he would not have enjoyed it forty years ago. (Thirty plays a year for the past several years has made him an astute observer.)

This production has me anticipating Tim Carroll’s work during his tenure as Artistic Director at the Shaw Festival.

Saint Joan is at The Shaw’s Festival Theatre until October 15, 2017.

Bonnie Lendrum is the author of Autumn’s Grace, the story of how one family manages the experience of palliative care with hope and humor despite sibling conflicts, generational pulls and career demands. Autumn’s Grace is a powerful commentary on the need for well-organized and well-funded palliative care in private homes and in residential hospices. It’s a gift to people who would like to be prepared as they help fulfill the final wishes of a family member or friend. 

A Theatre Buff Reviews: Androcles And The Lion

Cast of Androcles and The Lion - Photo by David Cooper

Cast of Androcles And The Lion – Photo by David Cooper

The Shaw Festival’s  Androcles And The Lion is a delightful production. It’s fun, interactive, and can leave one with the impression that it’s improvisational at points. However, the impression of improv theatre is just that; these actors know their material to its core.

The premise of the play is taken from a classical folktale whereby a runaway Roman slave, Androcles, relieves a wounded lion of the thorn in his paw and then benefits from the lion’s hunting prowess. Throw in George Bernard Shaw’s variations to the story to advance his views on religion, politics and vivisection, and the play becomes a comedy.  Androcles (Patrick Galligan) is a Christian and a vegetarian; the Christians being rounded up for death in the Colosseum are happy people who routinely break into song; the Roman centurion (Shawn Wright) is a buffoon; the Captain of the Roman Guard (Kyle Blair) has fallen in love with Lavinia (Julia Course), a beautiful and devout Christian; and Ferrovius (Jeff Irving) a muscled young Christian fighter struggles to reconcile his violent tendencies with his  faith.

The play becomes interactive when members of the audience change the momentum of the story by tossing coloured balls onto the set, and change the direction of the action by re-designing the set. I saw a preview; it was superb. It’s one more example of the energy at Shaw this year under the directorship of Tim Carroll.

Androcles And The Lion is playing at the Court House Theatre until October 7, 2017.

Bonnie Lendrum is the author of Autumn’s Grace, the story of how one family manages the experience of palliative care with hope and humor despite sibling conflicts, generational pulls and career demands. Autumn’s Grace is a powerful commentary on the need for well-organized and well-funded palliative care in private homes and in residential hospices. It’s a gift to people who would like to be prepared as they help fulfill the final wishes of a family member or friend.