A Theatre Buff Reviews On A First Name Basis

An older friend of mine once declared that, “If at the end of your days you can count true friends on the fingers of one hand, you are a lucky man.” David Kilbride, the author/employer in On A First Name Basis doesn’t have such luck. He pays his ‘friends’; they’re on his payroll…his agent, his publisher, his lawyer and his business manager. The one employee he sees every day, his housekeeper, doesn’t make that list. David doesn’t even know her first name after twenty-eight years of service.

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Norm Foster and Lally Cadeau in On A First Name Basis. Photo by BankoMedia.

Her name is Lucy, by the way: Lucy Hopperstaad (Lally Cadeau). David learns this detail after he has insisted that she stay one evening as she prepares to leave. Through a humorously uncomfortable, witty, and insightful conversation, David and Lucy explore the themes of relationships and death…over several glasses of single malts and Chablis.

Because my husband volunteers as a set builder, we both take note of the set as we settle in before a play begins. This one represents the gracious, well-appointed home of a wealthy man. The ceilings are sixteen feet high; the wood panelling is smooth and dark; mill work abounds; the wing-back chairs  are tufted leather. But I wondered, as I ‘watched’ the play through two sets of sunglasses and often with closed eyes if it was all necessary (I’m managing another concussion!). Like Ravi Jain’s interpretation of David French’s play, Saltwater Moon, that is just wrapping up in Toronto, this play has a captivating back and forth dialogue. A beautiful set may be superfluous.

I saw the play opening night. The leading man, due to illness, was replaced by no other than the playwright Norm Foster. It had to have been very satisfying for Mr. Foster to volley lines with the leading lady, (to whom he had given the best ones!). On A First Name Basis is a fine play; it entertains as it niggles at one’s conscience.

On A First Name Basis is playing at Theatre Aquarius in Hamilton until November 11, 2017.

Bonnie Lendrum is the author of Autumn’s Grace, the story of how one family manages the experience of palliative care with hope and humor despite sibling conflicts, generational pulls and career demands. Autumn’s Grace is a powerful commentary on the need for well-organized and well-funded palliative care in private homes and in residential hospices. It’s a gift to families and friends who would like to be prepared as they help fulfill the final wishes of someone they love. 

A Theatre Buff Reviews Salt-Water Moon

Salt-Water Moon is a play that both entertains and educates. It’s the story of an interrupted relationship between two teenagers, Jacob Mercer (Kawa Ada) and Mary Snow (Mayko Nguyen) that began in the summer of 1925, and is on the crux of being re-kindled almost a year later. Much has changed for each of them in the intervening months. Righteous indignation has become compromise; fear has transformed into pursuit. Absence has made their perspectives sharper.

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Kawa Ada – Jacob Mercer and Mayko Nguyen – Mary Snow. Photo by Joseph Michael Photography

The year in which the play is set is critical to the story. It’s close enough in time for the memories  of Beaumont Hamel to be raw, and for the consequences of that slaughter to still be felt by fatherless families up and down the coasts of Newfoundland.  And 1926 is close enough in time for islanders to recognize that men who were heroes of WWI are being treated with brutal injustice by owners of fishing boats/fleets. The youth have been changed by their parents’ experiences.

In 1994, I saw Salt-Water Moon at Theatre Aquarius.  The actors were in costume and the set simulated an outport. This production, by contrast is stripped down. A singer/ narrator (Ania Soul) describes the set which we then imagine, and provides stage direction to which the actors are oblivious. If this sounds bizarre, it’s not. The play immerses the audience in a powerful rhythmic give -and-take of dialogue on starlit night by the sea.

Salt-Water Moon is a satisfying play that is exquisitely performed and directed (Ravi Jain). I loved the regional accent, identified with the shame of poverty,  and understood the rage against oppressive labour practices. It’s a play that brings Canadian history to life, much like 1837: The Farmers’ Revolt.

Salt-Water Moon is playing at Toronto’s Panasonic theatre until October 29th. If you need any more encouragement to see this play here’s Kelly Nestruck’s review from 2016

Bonnie Lendrum is the author of Autumn’s Grace, the story of how one family manages the experience of palliative care with hope and humor despite sibling conflicts, generational pulls and career demands. Autumn’s Grace is a powerful commentary on the need for well-organized and well-funded palliative care in private homes and in residential hospices. It’s a gift to people who would like to be prepared as they help fulfill the final wishes of a family member or friend. 

 

A Theatre Buff Comments On The Curious Incident of the Dog in the Night-Time

Strobe lights and loud noises will keep me away from opening week of The Curious Incident of the Dog in the Night-Time, Yes. I’m concussed again. (Insert a choice string of expletives here!!) In November 2015, eleven months after the first concussion, I saw the show on Broadway. Even in my somewhat addled state, and despite flinching from the light and sound, I loved this production.

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The play is based upon the best selling novel of the same name. I had read the book some years before and was curious about how it might be produced. Let me just say it’s creative and edgy. Both are told through the eyes and ears of a teenage lad with an Aspergers-like syndrome who is trying to make sense of the violent death of a neighborhood dog. The Broadway production demonstrated the magic of theatre where the whole is more than the sum of its parts (script, direction, acting, set, lighting, sound). I expect the Mirvish production to be a match for the one I saw two years ago.

Call a friend and book tickets to see The Curious Incident Of The Dog in the Night-time, then tell me how you liked it. I’ve given up my tickets for opening week and will see it later in November.

Bonnie Lendrum is the author of Autumn’s Grace, the story of how one family manages the experience of palliative care with hope and humor despite sibling conflicts, generational pulls and career demands. Autumn’s Grace is a powerful commentary on the need for well-organized and well-funded palliative care in private homes and in residential hospices. It’s a gift to people who would like to be prepared as they help fulfill the final wishes of a family member or friend.