Foreplay and Summer Theatre
Al fresco dining and stimulating conversations are indeed theatre foreplay.
Al fresco dining and stimulating conversations are indeed theatre foreplay.
An evocative tale, from the perspective of a cocker spaniel, about his life with Elizabeth Barrett Browning.
This theatre buff cannot help herself: I must comment. I miss the experience of writing about the plays I have seen. The reality is that the revision of this current manuscript requires more creativity than I had expected. I’m trying to develop my ability to show more and tell less. Time is too scarce to…
O’Flaherty V.C. is the quintessential Shavian play. The time period is World War I; the setting is just before tea-time in the courtyard of a general’s manor house. In the space of a forty-five minute one act play, Shaw skewers religion, politics, education, war, and the British class system. O’Flaherty V.C. is fast, funny, and provocative;…
Some theatrical productions get inside my mind and are hard to shake out. The Baroness and the Pig is one of those plays. I saw it in early June and thought it was excellent, but couldn’t find time to comment. It’s niggled away ever since. The Baroness and the Pig is an unusual story about…
The Orchard (After Chekhov) by Serena Parmar is a refreshing and truly Canadian adaptation of The Cherry Orchard
The Madness of George III is a masterpiece of storytelling. It covers a short period—the summer of 1788 to the winter of 1789. As George III developed a host of agonizing bodily ailments and took leave of his senses, the Prince of Wales, courtiers and parliamentarians all tried to take advantage of the unstable political…
This summer feels like the season of too many plays and too few minutes at the keyboard. This is not a complaint, except for the bit about time because there are theatrical productions I have not commented on in a timely manner. When I established this blog my commitment was to comment only on the…
Where there are issues of rights, freedom, property, and love, nothing is simple.
Dancing At Lughnasa is a poignant story skillfully told. It’s narrated by Michael (Patrick Galligan), the love child of the youngest of the five Mundy sisters (Fiona Byrne, Diana Donnelly, Claire Jullien, Serena Parma, and Tara Rosling), as he remembers the month of August in 1936. Michael was seven years old at the time.…