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A Theatre Buff Reviews: The Nether

When consenting adults can put their imaginations together in virtual reality, what are the implications for morality and ethics? The Nether, a brilliant sci-fi crime drama, poses these questions and others through Jennifer Haley’s tightly written script. The production at Hamilton’s Theatre Aquarius is both spare and elegant; the cast and the creative team have…

A Theatre Buff Reviews: Engaged

Morris Panych’s production of Engaged at the Shaw Festival is unabashed fun from beginning to end. The play was released in 1877 yet the social conventions being satirized are as relevant today as they were over a century ago. We know W.S. Gilbert by his association with Arthur Sullivan and the comic operas they created.…

A Theatre Buff Reviews: The Dance of Death

Tolstoy’s observation that “Happy families are all alike; every unhappy family is unhappy in its own way” is just as true for marriages as it is for families. In Strindberg’s The Dance of Death, the marriage of Edgar (Jim Mezon) and Alice (Fiona Reid) is a combination of “hate and love forged together in a…

A Theatre Buff Reviews: Matilda The Musical 

Matilda The Musical is the delightful tale of a little girl who survives the emotional abuse of her narcissistic, conniving and stupid parents, and the spirit crushing conduct of the headmistress of Crunchem Hall Elementary. The book upon which this musical is based was written by Roald Dahl, so we know that there will be both…

A Theatre Buff Reviews: Alice In Wonderland

Aspiring set and costume designers will love the Shaw Festival’s Alice in Wonderland, as will anyone who remembers the book with fondness. Others not so much. The production itself  is spectacular. There is a stunning merge of audiovisual effects with the stage that is playful (the drinking of the potions), eerie (the pop-up appearances of…

A Theatre Buff Reviews: Our Town

The stark simplicity of the set and stage props in Thornton Wilder’s Our Town belies the depth and breadth of life on the eastern seaboard in the early 1900’s. The setting is Grover’s Corner, New Hampshire and we are introduced to it by the Stage Manager who takes the audience on a social tour of…